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Intellectual Property, Advertising, Art and Fashion Law

Fast Fashion Waste: Navigating Compliance in a Shifting Landscape

By Featured, Intellectual Property, Advertising, Art and Fashion Law

Fast fashion is front and center in a noteworthy legislative development in the EU that applies to all textile producers selling in the EU.  Under growing political and consumer pressure, governments are stepping in to confront the environmental toll of fast fashion.  Compliance is critical and penalties run high.  We break it down for you here.

What is Fast Fashion?

Fast fashion refers to the business model of producing inexpensive, trendy clothing at breakneck speed to meet consumer demand. Brands like Zara, H&M, and Shein have popularized this approach by replicating high-fashion designs and delivering them to stores within weeks. The appeal lies in affordability and constant novelty—shoppers can refresh their wardrobes frequently without breaking the bank.

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Trademark Talk – When Looks Matter: Trade Dress vs. Design Patents

By Intellectual Property, Advertising, Art and Fashion Law, Trademark Bulletins

Imagine walking into a store and spotting a sleek, curvy soda bottle or a chair so distinct you’d recognize it in your sleep. That “aha” moment is no accident—it’s the magic of intellectual property designed to protect the look and feel of products. Two key players in this visual world are trade dress and design patents. They’re like cousins at the family reunion of IP: related, overlapping, but with distinct personalities.

Trade dress is all about perception. It’s the overall appearance of a product or its packaging that signals its source to consumers. Think of the iconic Coca-Cola bottle or the whimsical shape of a Toblerone chocolate bar. Trade dress isn’t about patents or technical drawings; it’s about recognition, uniqueness, and sometimes even color schemes. But there’s a catch: to be protected, trade dress must be “distinctive” and, in many cases, have acquired secondary meaning—consumers must associate the look with a particular brand. You can’t just pick a random zigzag bottle and claim trade dress if nobody knows it’s yours.

Design patents, on the other hand, are the legal equivalent of a high-security vault for creativity. They protect the ornamental design of a functional item, often granting up to 15 years of exclusive rights in the U.S. Once granted, a design patent lets the inventor prevent others from making, using, or selling an object with a substantially similar appearance. Unlike trade dress, design patents don’t require proving that consumers recognize the design—they’re awarded based on novelty and non-obviousness. That sleek Apple device or fancy chair sketch you see in a patent database? That’s design patent territory.

Here’s where it gets fun: the two can overlap, but they behave differently in court. Trade dress is about consumer perception and likelihood of confusion. If someone copies your look and customers are misled into thinking it’s your product, trade dress infringement may have occurred. Design patents focus on the eye of a more technical judge: does the accused item look substantially the same as the patented design? It’s less about what consumers think and more about visual comparison.

Another twist is timing. Design patents offer a fixed term but require early filing; they’re like planting a flag on your creative mountain. Trade dress can potentially last forever, as long as the look remains distinctive and associated with your brand. So one is a sprint, the other a marathon—both can be strategically valuable.

Ultimately, trade dress and design patents are tools for the same goal: protecting what makes your product memorable. One relies on consumer recognition, the other on legal novelty. Together, they form a dual shield, guarding both the eye-catching charm and the exclusive design behind the products we love. So next time you reach for that curvy bottle, that quirky chocolate, or that stylish gadget, remember—you’re witnessing the subtle art of IP at work. And in the world of product aesthetics, looking good isn’t just a bonus; it’s a legally protected superpower.

August 12 CLE – The Power of Fame: Managing Your Legal Budget in Enforcing and Defending Famous Marks

By Intellectual Property, Advertising, Art and Fashion Law

Dunnington partners Olivera Medenica and Padmaja Chinta, along with associate Maaike Angulo Vrij presented a CLE this past Tuesday covering the evidentiary burdens of proving fame in challenging litigations in both federal courts and before the TTAB. The presentation covered the legal standards for showing fame and distinctiveness, and attendees were treated to plenty of edible props such as Oreo cookies, Toblerone chocolates, Pocky sticks and a refreshing bottle of Coke!

August 19 – Partner Padmaja Chinta to Moderate FBA IP Section Webinar

By Intellectual Property, Advertising, Art and Fashion Law, Uncategorized

On August 19, Dunnington, Bartholow & Miller LLP partner Padmaja Chinta will be moderating a webinar hosted by the FBA Intellectual Property Law Section. Register for “Pet Peeves in IP Litigation” to hear a candid conversation with Judges Beth L. Freeman, Maryellen Noreika, Paul J. Oetken, and Anuraag Singhal as they discuss what litigators should avoid (and do more of) when advocating in their courtrooms.

Register here: https://www.fedbar.org/event/webinar-pet-peeves-in-ip-litigation/

Trademark Talk – What is Secondary Meaning?

By Intellectual Property, Advertising, Art and Fashion Law, Trademark Bulletins

Secondary meaning is a critical concept in trademark law. It enables descriptive or non-descriptive marks to receive protection when consumers associate the mark with a particular source, such as a specific company, rather than just the product or service that it describes. In many instances, a descriptive mark can become powerful source identifier once it has obtained secondary meaning.

Under the Lanham Act, trademarks are categorized based on their inherent distinctiveness. This will directly impact their eligibility for protection. There are four broad categories of trademarks: generic, descriptive, suggestive, and arbitrary or fanciful. Generic marks are terms that refer to the general category or class of a product or service. For example, some of these terms include “t-shirts” or “computers.” Generic terms cannot be trademarked because they are common descriptors that must remain available for public use. Descriptive marks are terms that directly communicate details about the product’s ingredients, qualities, or characteristics and can only receive trademark protection if they have gained a secondary meaning that associates them with a particular source. Suggestive Marks suggest a quality or feature of a product but requires a consumer to use their imagination or thought to make the connection. Some examples include “The North Face” and “CITIBANK.” Suggestive marks are inherently distinctive and automatically receive protection under the Lanham Act without proof of secondary meaning. Arbitrary or Fanciful Marks are terms that have no inherent connection to the product or service. For example, “Apple” for computers or “Starbucks” for coffee. These marks are considered inherently distinctive and are eligible for protection without proof of secondary meaning.

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Full Program Announcement – 2025 Art & Fashion Law Conference

By Featured, Firm News, Intellectual Property, Advertising, Art and Fashion Law

The 2025 Art & Fashion Law Conference is two weeks away!

Sponsored by the Federal Bar Association’s Intellectual Property Law Section and their Southern District of New York Chapter, this year’s conference returns to the offices of Dunnington, Bartholow & Miller LLP in the heart of New York City.

In two weeks, we’ll welcome experts from The Estée Lauder Companies Inc., Louis Vuitton, Ross Stores, Inc., SUPIMA, Model Alliance, Conair LLC, the World Jewish Restitution Organization, and many more. Come ready to network with and learn from top leaders in the Art & Fashion Law industries.

The full program can be found here.

All attendees registered for one or both days are invited to join us for a cocktail hour from 4:30-5:30 p.m. on Wednesday, February 12th. 5 CLE credits will be offered on each day.

Click here to register by Friday, January 31st for a 5% discount!

Read the announcement on the FBA’s website.

Free Online CLE Presented by Partner Raymond Dowd & The Westchester County Bar Association

By Firm News, Intellectual Property, Advertising, Art and Fashion Law

On February 11th, Dunnington, Bartholow & Miller LLP partner Raymond Dowd will present a free online CLE in partnership with the Westchester County Bar Association. One credit in Professional Practice is available. The session is co-sponsored by Stagg Wabnik Law Group LLP, Justice Brandeis Law Society, and the Westchester Women’s Bar Association.

For more information and to register, click here.

Partner Raymond Dowd Speaking at Upcoming Fordham Law Symposium

By Client Alerts, Firm News, Intellectual Property, Advertising, Art and Fashion Law

On February 28th, Dunnington, Bartholow & Miller LLP Partner Raymond Dowd will take part in Fordham University School of Law‘s symposium, “Remedies for Looted Art and Cultural Property-Civil, Criminal, or Consensual?” presented by the Fordham Law Review. He will be joined by Christopher McKeogh, Anna B Rubin, and Antonia V. B. for the panel “Holocaust Era Looted Art and Cultural Property: How Do We Restitute History?”, moderated by Judge Hilary Gingold.

For more information and to register, click here.

Trademark Talk – What is a Trade Dress?

By Intellectual Property, Advertising, Art and Fashion Law, Trademark Bulletins

A trade dress refers to the total commercial image of a product or its packaging, which may include elements such as size, shape, color, texture, or even packaging style. The distinctiveness of these elements creates a unique visual identity that makes the product easily recognizable in the marketplace. Think of it as the overall “look and feel” of a product that allows consumers to immediately associate the product with a particular company without ever needing to see a logo or brand name.

The concept of trade dress is encompassed within the definition of a trademark and is therefore protectable under trademark law. To obtain trade dress protection, your product design or packaging must meet two key requirements: it must be distinctive, and it cannot be functional.

The shape of a glass Coca-Cola bottle for example, is protected by trade dress.   The specific blue color that Tiffany & Co’s uses for their gift boxes is also protected by trade dress. As soon as you see the iconic packaging of that little blue box, you think beauty, luxury, and elegance – you think Tiffany’s – even before seeing what is inside.   Similarly, as soon as you see the shape of that classic glass Coca-Cola bottle, you think of that classic cola taste (and perhaps childhood memories of a refreshing drink on a hot summer day).  That’s trade dress, and it is driven not only by branding but consumer recognition.

For a trade dress to be considered distinctive, it must allow the customer to easily identify the product’s source. When a trade dress is so unique that this identification is clear and immediate, it may be considered inherently distinctive. Otherwise, you must prove that your trade dress has acquired secondary meaning. Secondary meaning is when a trade dress, through extensive commercial use or advertising, becomes associated with a single brand in the minds of the public. For example, the shape of a Ketchup bottle, a Birkin bag, or an iPhone, or even the distinctive configuration of a restaurant. These shapes, colors and designs have all achieved secondary meaning through extensive commercial use and advertising.

The second requirement is that the product’s design cannot be purely functional. Design elements are considered functional if they serve a practical purpose or are essential to the product’s use or effectiveness. For example, a shoe sole pattern that improves traction or a bottle shape that makes the bottle easier to hold. Neither of these elements would be protected under trade dress. Trade dress protection covers the aesthetic elements that make up a product’s signature style and unique branding identity, rather than the product’s functionality.

While trademarks are important for safeguarding your brand’s name and logo, trade dress is essential for protecting the overall look and feel of your products. Both serve as powerful tools in protecting your brand’s identity, reputation and market value.